for bragging rights as the largest supplier of primetime series, with a roster of about 20-24 shows in any given year.
The studio was in the midst of a growth spurt that saw it sparring with Warner Bros. Walden started at 20th as a PR exec in 1992, and moved up the ranks as a creative executive who was overseeing drama programming. Newman was the studio’s business affairs chief, having joined in 1990 from NBC. Neither executive had experience juggling management and operational responsibilities at a high level. They took the operating reins in December 1999 from Sandy Grushow, after Chernin dispatched him to oversee the Fox network as well as the studio.Ĭhernin’s decision came as a surprise to both Walden and Newman, as well as the broader industry. prexy-COO who took a gamble on pairing Newman and Walden.
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The growth of 20th TV as a business overall is gratifying to Chernin, the former News Corp. By any measure, our television studios outshine the competition, and that’s clearly a testament to the vision, creative leadership and long-standing partnership of the team at the top.” Says Chase Carey, prexy and chief operating officer of 21st Century Fox, 20th TV’s parent company: “Gary and Dana are simply the best in the business. “We always want to be in business with the best creators.” We can support your vision,’ ” Walden says. “Our calling card to the creative community is, ‘Bring us your biggest ideas. And in their spare time, Walden and Newman found the way to quench the thirst of the rabid Bluth family fanbase by reviving “Arrested Development” on Netflix.
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It picked up an Emmy last year for best drama series in the process.
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With “Homeland,” 20th TV not only tackled combustible subject matter (the gray areas of America’s war on terrorism), but also cracked the code in developing a feasible economic production model for a pay TV channel. “Glee,” with its musical focus and high school setting, was a primetime Hail Mary pass that spurred the studio to become proactive in generating ancillary revenue opportunities through music and merchandising deals. “Modern Family” was a cutting-edge spin on a domestic comedy that bowed at a time when family laffers were few and far between on network TV. The tale of “24” is a case study in bucking TV traditions - and being far ahead of the curve on the boom in serialized drama series. The hallmark of 20th TV as a studio is its enviable reputation for shepherding risky creative bets into commercial successes. More often than not, I’ll say, ‘You’re right.’ ” “Dana will say something that I don’t agree with, but it forces me to think about it from a different perspective. “One of the secrets to the success we’ve had is that out of the process of two people having to come to a point of view on something, you get better decisions,” Newman says. There is no doubt, Newman says, that in a business changing as fast as TV, two heads are better than one. Gary and I have an incredibly beneficial, meaningful relationship that has (helped) every step we’ve taken in growing this organization to where it is now.” “The prospect of running this studio would be immeasurably more difficult if I didn’t have someone to talk to about these issues.
It’s very hard to predict with any certainty what the television business is going to look like three to five years into the future,” Walden says. In reflecting on how far 20th TV has come on their watch, Newman and Walden are quick to emphasize that neither could have done it alone. And in recent years, they’ve taken on more turf within the broader studio by gaining oversight of the 20th Century Fox studio’s licensing and merchandising and syndication sales operations. The two have presided over exponential growth in the studio’s production activity for network, cable and digital outlets.
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Since 1999, Walden and Newman have turned a shotgun professional marriage arranged by Peter Chernin into one of the most prosperous executive partnerships in showbiz history. Television bizzers usually speak of the 20th TV chairman-CEOs in the same breath because that’s how they operate in running the powerhouse TV studio that is rivaled only by Warner Bros. Perhaps the most telling testament to the strength of the partnership forged by Gary Newman and Dana Walden at 20th Century Fox Television is how the two are referred to within the industry.Īfter 14 years together at the top, their first names have fused into a five-syllable sobriquet pronounced “Gary’nDana,” or just as often,“Dana’nGary.”
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